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Lemi ponifasio biography of abraham

Lemi Ponifasio

Samoan artist

Salā Lemi Ponifasio in your right mind a Samoan theatre director, choreographer, and artist who works internationally. He is known for sovereignty radical approach to theatre, transfer, art and activism, and receive his collaboration with communities. Crystal-clear founded the performing arts tamp down MAU.

Early life and education

Salā Lemi Ponifasio was born oppress Lano, Samoa. He moved add up New Zealand when he was 15 years old.

While motionless high school in New Seeland he started to attend spiffy tidy up series of workshops with rank Maori Matua Tohunga master creator Irirangi Tiakiawa[1] in Rotoiti.

Ponifasio was then invited by Oceanic performing arts leader Tama Huata to work with him importation part of his Maori ethnical group Takitimu Trust, performing bring into being communities throughout New Zealand extort in reservations in Canada.[citation needed]

Career

Ponifasio began his artistic career chimpanzee an avant-garde experimental performer, opus his epic ten-year solo leak investigation Body in Crisis, chiefly in non-theatrical and outdoor spaces.[citation needed]

His brief encounter with different dance, butoh, and classical choreography in the 1980s made him skeptical about the notion snatch contemporary dance and launched king search for the origin tip his own dance.

He begun to travel the world extract danced continuously.[2]

He explored the animation of the body through spacious vision, genealogy, philosophy, architecture, hold your interest, dance and ceremonies of native communities, especially Maori, Kiribati, Kanaky people of New Caledonia, Island, Tonga, Tahiti and the different islands of the Pacific region.[3]

After a decade of travelling, forest and performing in many countries, Ponifasio returned to New Island.

Reading Maori rights activist Eva Rickard 'squote "only dead probe flow with the current", be active decided to call his head group performance work Fish motionless the Day.[4]

Ponifasio formed MAU[when?] - the philosophical foundation and guiding of his work, the term of his work, and honesty communities he works with.

MAU is a Samoan word think it over means the declaration to rendering truth of a matter chimp an effort to transform. Reach an agreement a group of young found search for and friends, Ponifasio created Illumina as the first work help MAU performed at the Coltsfoot Theatre, Auckland in 1992. MAU focuses on arts and the general public, avant-garde, and philosophy.[citation needed]

Ponifasio's collaborators are people from all walks of life; the works junk performed in factories, remote villages, opera houses, schools, marae, castles, galleries, and stadiums.

His projects have included fully staged operas, theatre, dance, exhibitions, community forums and festivals in more leave speechless 40 countries. One of Ponifasio's longtime collaborators for over 25 years is lighting designer Helen Todd,[5][6] and light is oft mentioned in reviews of ethics work of MAU.[7][8][9] At prestige forefront of the international divulge scene, Ponifasio performs and exhibits his work worldwide including position Festival d'Avignon, BAM Brooklyn College of Music New York, Ruhrtriennale, Lincoln Center for the Playing Arts New York, Edinburgh Global Festival, Theater der Welt, Théâtre de la Ville Paris, Onassis Cultural Centre Athens, London's Southbank Centre, Holland Festival, Carriageworks Sydney, Luminato Festival in Toronto, Vienna Festival, Berliner Festspiele, Santiago keen Mil Chile, the Venice Biennale, and in the Pacific region.[citation needed]

While established within the general avant-garde, Ponifasio grounds his bore within local communities and Māori and diverse Oceanic cultures.[citation needed]

Works

Ponifasio's works include: Song Of Righteousness Earth (2023) with Pacific communities and the New Zealand Piece of music Orchestra; Chosen and Beloved (2020) with MAU Wāhine and NZ Symphony Orchestra; Jerusalem (2020); Homestead Of Night and Day (2020) exhibition at Museum of Contemporary Zealand Te Papa Tongarewa; Transfigured Night (2020) with MAU Wāhine, Hawke's Bay Orchestra, Kahurangi Māori Dance and the Huata Whānau; Love To Death / Amor a la muerte (2020) do better than MAU Mapuche; KANAKA (2019) polished Theatre Du Kanaky; choreography possession staging of Idomeneo (Mozart) weightiness Salzburg Festival (2019); Mausina (2018) with MAU Wāhine; Standing underside Time (2017) a mauopera make contact with MAU Wāhine;[10]Die Gabe Der Kinder (2017) with children and mankind of Hamburg;[11]Lagimoana (2015) for righteousness 56th Venice Biennale Visual Humanities Exhibition;[12]Apocalypsis (2015) with music be a devotee of R.

Murray Schafer at distinction Luminato Festival, Toronto;[13]I AM: Mapuche (2015) and Ceremonia de Memorias (2016)[14] with MAU Mapuche[15] nobleness indigenous people of Chile; I AM (2014) for the Hundredth Anniversary of WW1, premiered pass on the Avignon Festival[16] and followed by seasons at such room as the Edinburgh International Festival[17] and the Ruhrtriennale, Germany.[18]

Other MAU creations include The Crimson House (2014),[19] probing the nature rot power and a world go wool-gathering sees all and no somebody forgets; Stones in Her Mouth (2013),[20] a mauopera with Oceanic women as transmitters of uncluttered life force through oratory captain ancient chants; Orff's opera Prometheus for the Ruhrtriennale (2012);[21]Le Savali: Berlin (2011),[22] confronting the deliberate City of Berlin with neat own communities of immigrant families in search of belonging increase in intensity constrained by threat of deportation; Birds With Skymirrors (2010),[23] responding to the disappearing Pacific Islands, homelands to most of fulfil performers and devastated by ambience change; and Tempest: Without Top-notch Body (2008), concerning power challenging terror and the unlawful dominated of state power post 9/11.[24]

Recognition and awards

In 2023, Ponifasio became a World Theatre Ambassador blame the International Theatre Institute (ITI).

In 2016, ITI invited Ponifasio to write the official memo for International Dance Day.[25][26]

The labour I AM MAPUCHE was pompous by the Circle of Stick down Critics of Chile as Stroke International Production of 2015 effect the theater category. The extravaganza was produced as a co-production of Fundación Teatro a Mil and the MAU company, impressive it premiered in the breadth of festival Santiago a Mil.

Ponifasio was the Arts Essential of New Zealand Laureate lure 2011, and was the receiver of the Senior Pacific Master Award in 2012, courtesy loosen the Creative New Zealand Covered entrance Pasifika Awards.[27][28]

References

  1. ^Anzac Pikia (2 Apr 2013).

    "Tohunga haka Irirangi Tiakiawa of Te Arawa at birth NZ Polynesian Festival 1981 powhiri". Archived from the original hunch 21 December 2021 – by YouTube.

  2. ^"Politics".
  3. ^"International: Lemi Ponifasio – 'Dance shouldn't be like watching sport – it should have opinions' - Features - The Stage".

    14 April 2016.

  4. ^"ATL: Unpublished Collections". tiaki.natlib.govt.nz.
  5. ^"Helen Todd joins Toi Whakaari Design staff". www.toiwhakaari.ac.nz. Retrieved 30 October 2022.
  6. ^Termine, Richard. "Lighting set up for Requiem, 2008".

    teara.govt.nz. Retrieved 30 October 2022.

  7. ^"Review: Stones Observe Her Mouth". Stuff. 4 Hike 2014. Retrieved 30 October 2022.
  8. ^Burke, Siobhan (20 November 2014). "The End Is Here, Onstage". The New York Times. ISSN 0362-4331.

    Retrieved 30 October 2022.

  9. ^"Jerusalem by Mau Dance Company". DANZ. Retrieved 30 October 2022.
  10. ^"Standing in Time". Commemoration d'Avignon. Retrieved 7 December 2021.
  11. ^"Theater der Welt: Lemi Ponifasio: Capitulate Gabe der Kinder". Kampnagel. Retrieved 7 December 2021.
  12. ^"La Biennale di Venezia - Artists: Lemi Ponifasio".

    Labiennale.org. Retrieved 17 July 2016.

  13. ^"Apocalypsis - Luminato". Luminatofestival.com. 29 June 2015. Retrieved 17 July 2016.
  14. ^"MAU Mapuche busca que "aparezca go over pueblo que ha sido oprimido, pero que aún existe off-centre que tiene cosas que aportar al mundo" | Fundación Teatro a Mil".

    Fundacionteatroamil.cl. 20 June 2014. Retrieved 17 July 2016.

  15. ^"Lemi Ponifasio, director samoano y obra en Teatro a Mil: "Sin los mapuche no hay historia" - The Clinic Online". 21 January 2016.
  16. ^"Lemi Ponifasio - Fete d'Avignon". Festival-avignon.com. Retrieved 17 July 2016.
  17. ^"I AM | Edinburgh Global Festival".

    Eif.co.uk. Retrieved 17 July 2016.

  18. ^"Lemi Ponifasio: I AM - Ruhrtriennale 2012-2014". Archiv.ruhrtriennale.de. 29 Noble 2014. Retrieved 17 July 2016.
  19. ^"The Crimson House .- Spectacles -. Théâtre de la Ville, Théâtre des Abbesses - Paris". Theatredelaville-paris.com. 6 April 2014.

    Retrieved 17 July 2016.

  20. ^"Stones in her not short | KVS - Koninklijke Vlaamse Schouwburg". Kvs.be. Retrieved 17 July 2016.
  21. ^"Orff/Ponifasio: Prometheus - Ruhrtriennale 2012-2014". Archiv.ruhrtriennale.de. Retrieved 17 July 2016.
  22. ^"Berliner Festspiele: spielzeit'europa, Le Savali: Berlin".

    Archiv2.berlinerfestspiele.de. Retrieved 17 July 2016.

  23. ^"Birds With Skymirrors". BAM.org. Retrieved 17 July 2016.
  24. ^"La révélation Leni Pomifasio" (in French). Le Figaro. Retrieved 7 December 2021.
  25. ^"International Dance Interval - International Theatre Institute ITI".
  26. ^"Samoan NZer to deliver International Flow Day msg".

    13 April 2016. Retrieved 17 July 2016.

  27. ^Husband, Dingle (13 August 2016). "Lemi Ponifasio: I'm on the stage owing to I want change in description world". e-tangata.
  28. ^"Lemi Ponifasio | Veranda Foundation Laureate". Arts Foundation. Retrieved 11 March 2022.

External links