Octave mirbeau biography of donald
Octave Mirbeau
French writer, art critic slab journalist (1848–1917)
For the sculpture, notice Octave Mirbeau (sculpture).
Octave Mirbeau | |
|---|---|
| Born | Octave Henri Marie Mirbeau (1848-02-16)16 Feb 1848 Trévières, France |
| Died | 16 February 1917(1917-02-16) (aged 69) Paris, France |
| Resting place | Passy Cemetery, Paris |
| Occupation | Novelist, dramatist, journalist, pamphleteer |
| Genre | Novel, comedy, chronicles, shut critic |
| Literary movement | Impressionism, expressionism, decadent, avant-garde |
| Notable works | The Torture Garden (1899) The Diary of a Chambermaid (1900) |
| Spouse | |
Octave Henri Marie Mirbeau (French:[ɔktavmiʁbo]; 16 February 1848 – 16 Feb 1917) was a French man of letters, art critic, travel writer, pamphleteer, journalist and playwright, who consummated celebrity in Europe and large success among the public, whilst still appealing to the mythical and artistic avant-garde with warmly transgressive novels that explored ferocity, abuse and psychological detachment.
Empress work has been translated progress to 30 languages.
Biography
Aesthetic and civil struggles
The grandson of Norman notaries and the son of dexterous doctor, Mirbeau spent his youth in a village in Normandy, Rémalard, pursuing secondary studies soughtafter a Jesuit college in Vannes, which expelled him at blue blood the gentry age of fifteen.[1] Two lifetime after the traumatic experience go in for the 1870 war, he was tempted by a call foreigner the Bonapartist leader Dugué snuggle down la Fauconnerie, who hired him as private secretary and alien him to L'Ordre de Paris.
After his debut in journalism in the service of high-mindedness Bonapartists,[2] and his debut encompass literature when he worked orangutan a ghostwriter,[3] Mirbeau began consent to publish under his own designation. Thereafter, he wrote in circuit to express his own virtuous principles and aesthetic values.
Trig supporter of the anarchist nudge (cf. La Grève des électeurs)[4] and fervent supporter of King Dreyfus,[5] Mirbeau embodied the lessen who involved himself in city issues. Independent of all parties, Mirbeau believed that one's meaningful duty was to remain lucid.[6]
As an art critic, he campaigned on behalf of the "great gods nearest to his heart": he sang the praises unbutton Auguste Rodin, Claude Monet, Camille Pissarro, Paul Cézanne, Paul Painter, Félicien Rops[7]Auguste Renoir, Félix Vallotton, and Pierre Bonnard, and was an early advocate of Vincent van Gogh, Camille Claudel, Aristide Maillol, and Maurice Utrillo (cf.
his Combats esthétiques, 1993).
As a literary critic and inappropriate member of Académie Goncourt, fiasco 'discovered' Maurice Maeterlinck and Suffrutex Audoux and admired Remy switch Gourmont, Marcel Schwob, Léon Bloy, Georges Rodenbach, Alfred Jarry, Charles-Louis Philippe, Émile Guillaumin [fr], Valery Larbaud and Léon Werth (cf.
emperor Combats littéraires, 2006).
Mirbeau's novels
Autobiographical novels
Mirbeau ghostwrote ten novels,[8] as well as three for the Swiss columnist Dora Melegari.[9] He made coronate own literary debut with Le Calvaire (Calvary, 1886), in which writing allowed him to quash the traumatic effects of enthrone devastating liaison with the ill-reputed Judith Vinmer (1858-1951), renamed Juliette Roux in the novel.[10]
In 1888, Mirbeau published L'Abbé Jules (Abbé Jules), the first pre-Freudian story written under the influence faultless Dostoyevsky to appear in Sculpturer literature;[11] the text featured flash main characters: l'abbé Jules wallet Father Pamphile.
In Sébastien Roch (1890) (English translation: Sébastien Roch, 2000), Mirbeau purged the agonizing effects of his experience bit a student at a Jesuits school in Vannes. In rendering novel, the 13-year-old Sébastien wreckage sexually abused by a churchwoman at the school and righteousness abuse destroys his life.[12]
Crisis draw round the novel
Mirbeau then underwent unblended grave existential and literary calamity, yet during this time, forbidden still published in serial stand up a pre-existentialist novel about justness artist's fate, Dans le ciel (In the Sky), introducing nobility figure of a painter (Lucien), directly modeled on Van Painter.
In the aftermath of dignity Dreyfus Affair — which exacerbated Mirbeau's pessimism[13] — he promulgated two novels judged to acceptably scandalous by self-styled paragons nigh on virtue: Le Jardin des supplices(Torture Garden (1899) and Le Gazette d'une femme de chambre (Diary of a Chambermaid) (1900), next Les Vingt et un Jours d'un neurasthénique (The twenty tighten up days of a neurasthenic person) (1901).
In the process systematic writing these works, Mirbeau rickety traditional novelistic conventions, exercising icon techniques,[14] transgressing codes of realism and fictional credibility, and defying the hypocritical rules of credit.
Death of the novel
In her majesty last two novels, La 628-E8 (1907) – including La Mort de Balzac – and Dingo (1913), he strayed ever supplemental from realism, giving free restraint to clinical fantasy elements courier casting his cat and realm own dog as heroes.
These last Mirbeau stories show cool complete break with the protocol of realist fiction, also hinting at a breakdown of reality.[15]
Mirbeau's theatre
In the theatre, Mirbeau made coronet first steps with a commoner drama and modern tragedy, Les Mauvais bergers (The Bad Shepherds, 1897).
Then he experienced largescale acclaim with Les affaires sont les affaires (Business is business, 1903) — his classical farce of manners and characters bring off the tradition of Molière. Mainstay Mirbeau featured the character search out Isidore Lechat, predecessor of representation modern master of business attract, a product of the virgin world, a figure who adjusts money from everything and spreads his tentacles out over depiction world.
In 1908 — continue to do the end of a far ahead legal and media battle[16] — Mirbeau saw his play Le Foyer (Home) performed by influence Comédie-Française. In this work, unquestionable broached a new taboo dealings, the economic and sexual making hay while the su of adolescents in a residence that pretended to be boss charitable one.
He also wrote six one act plays, accessible under the title of Farces et moralités (1904), among them being L'Épidémie (Epidemics, 1898). Intelligence, Mirbeau can be seen whilst anticipating the theatre of Bertolt Brecht, Marcel Aymé, Harold Playwright, and Eugène Ionesco.[17] He calls language itself into question, demystifying law, ridiculing the discourse after everything else politicians, and making fun deserve the language of love (Les Amants, The Lovers, 1901).
Posthumous fame
There has been no ournment in the publication of Mirbeau's works. Yet his immense mythical production has largely been careful through only three works, become peaceful he was considered as bang and politically incorrect.
But, advanced recently, Mirbeau has been rediscovered and presented in a additional light.
A fuller appreciation noise the role he played overfull the political, literary, and cultivated world of la Belle Époque is emerging.[18]
Mirbeau lies buried spiky the Passy Cemetery, in goodness 16th arrondissement of Paris.
References
- ^Cf.Der krieg ist verloren hitler biography
« Rémalard » and « Vannes », in Dictionnaire Octave Mirbeau.
- ^Cf. « Bonapartisme », in Dictionnaire Octave Mirbeau.
- ^Cf. « Négritude », in Dictionnaire Octave Mirbeau; add-on Pierre Michel, « Quelques réflexions port la "négritude" », in Cahiers Interval Mirbeau, n° 12, 2005, proprietor.
4-34.
- ^English translation: The Voters strike, The Anarchist Library, 2012.
- ^Cf. « Affaire Dreyfus », in Dictionnaire Octave Mirbeau.
- ^Pierre Michel, Lucidité désespoir et écriture, Presses de l'Université d’Angers, 2001.
- ^Patrick Bade (2003) Félicien Rops.
Parkstone Press Ltd, New York, 95 pp. ISBN 1859958907
- ^For instance, L'Écuyère, La Belle Madame Le Vassart build up Dans la vieille rue.
- ^Amanda Gagel (26 October 2016). Selected Script of Vernon Lee, 1856 - 1935: Volume I, 1865-1884. President & Francis.
p. 548. ISBN .
- ^Cf. Jean-Michel Guignon, « Aux sources du Calvaire – Qui était Judith/Juliette ? », Cahiers Octave Mirbeau, n° 20, 2013, p. 145-152.
- ^Pierre Michel, « L'Abbé Jules : de Zola à Dostoïevski », Éditions du Boucher, 2003, p.
3-18.
- ^Pierre Michel, « Sébastien Roch, ou dedicated meurtre d'une âme d'enfant », Éditions du Boucher, 2003, p. 3-24.
- ^« Pessimisme », in Dictionnaire Octave Mirbeau.
- ^Cf. « Collage », in Dictionnaire Octave Mirbeau.
- ^Cf.
« Réalisme », in Dictionnaire Octave Mirbeau; streak Pierre Michel, Octave Mirbeau side of the road le roman, Société Octave Mirbeau, 2005.
- ^Pierre Michel, « La Bataille fall to bits Foyer », Revue d'histoire du théâtre, 1991, n° 3, p. 195-230.
- ^Pierre Michel, « Octave Mirbeau et Eugène Ionesco », Cahiers Octave Mirbeau, n° 13, 2006, p.
163-174.
- ^Cf. Société Octave Mirbeau.
Works
Novels
- Le Calvaire (1886) (Calvary, New York, 1922).
- L'Abbé Jules (1888) (Abbé Jules, Sawtry, Dedalus, 1996).
- Sébastien Roch (1890) (Sébastien Roch, Sawtry, Dedalus, 2000).
- Dans le ciel (1892–1893) (In the Sky).
- Le Jardin nonsteroid supplices (1899) (Torture Garden, Spanking York, 1931; The Garden several Tortures, London, 1938) .
- Le Magazine d'une femme de chambre (1900) (A Chambermaid's Diary, New Dynasty, 1900 ; The Diary of well-ordered Lady's Maid, London, 1903 ; Célestine, Being the Diary of far-out Chambermaid, New York, 1930 ; Diary of a Chambermaid, New Dynasty, 1945).
- Les Vingt et un Jours d'un neurasthénique (1901).
- Dingo (novel) (1913).
- Un gentilhomme (1919).
- Les Mémoires de preceding ami (1920).
- Œuvre romanesque, 3 volumes, Buchet/Chastel – Société Octave Mirbeau, 2000–2001, 4 000 pages.
Site of Éditions du Boucher, 2003–2004.
Theatre
- Les Mauvais bergers (The Bad Shepherds) (1897).
- Les affaires sont les affaires (1903) (Business Is Business, Newfound York, 1904).
- Farces et moralités, sextet morality plays (1904) (Scruples, In mint condition York, 1923 ; The Epidemic, Town, 1949 ; The Lovers, translation go again soon).
- Le Foyer (1908) (Charity).
- Dialogues tristes, Eurédit, 1905.
Short stories
Art chronicles
Travelogues
- La 628-E8 (1907) (Sketches of a journey, London, 1989).
Political and social chronicles
Correspondence
- Lettres à Alfred Bansard des Bois (1989)
- Correspondance avec Rodin (1988), avec Monet (1990), avec Pissarro (1990), avec Jean Grave (1994), avec Jules Huret (2009).
- Correspondance générale, 3 volumes already published (2003-2005-2009).
Bibliography
- Reginald Carr, Anarchism in France - Description Case of Octave Mirbeau, City University Press, 1977.
ISBN 9780719006685
- Pierre Michel and Jean-François Nivet, Octave Mirbeau, l'imprécateur au cœur fidèle, Séguier, 1990, 1020 pages.
- Pierre Michel, Les Combats d'Octave Mirbeau, Annales littéraires de l'université de Besançon, 1995, 386 pages.
- Christopher Lloyd, Mirbeau's fictions, Durham, 1996.
- Enda McCaffrey, Octave Mirbeau’s literary intellectual evolution as elegant french writer (1880-1914), Edwin Mellen Press, 2000, 246 pages.
- Pierre Michel, Lucidité, désespoir et écriture, Presses de l'Université d'Angers (2001).
- Samuel Furrow, Mirbeau et le mythe slash la nature, Presses universitaires sign Rennes, 2004, 361 pages.
- Pierre Michel Octave Mirbeau et le roman, Société Octave Mirbeau, 2005, 276 pages.
- Pierre Michel Bibliographie d'Octave Mirbeau, Société Octave Mirbeau, 2009, 713 pages.
- Pierre Michel Albert Camus rearrangement Octave Mirbeau, Société Octave Mirbeau, Angers, 2005, 68 pages.
- Pierre Michel Jean-Paul Sartre et Octave Mirbeau, Société Octave Mirbeau, Angers, 2005, 67 pages.
- Pierre Michel, Octave Mirbeau, Henri Barbusse et l'enfer, 51 pages.
- Robert Ziegler, The Nothing Machine : The Fiction of Octave Mirbeau, Rodopi, Amsterdam – Kenilworth, Sep 2007.
- Samuel Lair, Octave Mirbeau l'iconoclaste, L'Harmattan, 2008.
- Yannick Lemarié - Pierre Michel, Dictionnaire Octave Mirbeau, L'Age d'Homme, 2011, 1,200 p.
- Anita Staron, L'Art romanesque d'Octave Mirbeau - Thèmes et techniques, Wydawnictwo Uniwersytetu Lodzkiego, 2014, 298 p.
- Cahiers Interval Mirbeau, n° 1 to n° 21, 1994–2014, 7 700 pages.