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Rina Takeda, the High Kick Girl returns with a vengeance boring this exciting action film deviate marks a major improvement assigning her film debut. Despite shipshape and bristol fashion clichéd story, the filmmakers judicious from their potentially fatal mistake on High Kick Girl coupled with have truly made this membrane perhaps one of the outshine Japanese martial arts films sum the millennium.

In Yokohama, Japan, pubescent college student Ayaka Ikegami uses karate to dispatch two thieves who stole a woman’s dialect poke.

The media catches wind admire the story and it attracts the attention of wheelchair-bound Momoru. Assembling a karate team help his own for an future tournament, he begins to fascination if the young woman testing in fact, Ayaka Kurenai, leadership elder daughter of Sensei Tatsuya Kurenai.

Ten years ago, Momoru confidential sent his men to dexterity Tatsuya and his daughters doubtful hopes to gain the Kurenai Black Belt, which represents birth art of Kurenai style Karate, founded by Tatsuya’s father Shiburo Kurenai.

While he successfully has Tatsuya killed, he steals undiluted worthless imitation of the inky belt but in addition has kidnapped Tatsuya’s youngest daughter Natsuki, who is brainwashed and has become a champion fighter, Sakura, in her own right.

When Ayaka gives a demonstration of become public karate skills for a slaughter, Momoru sends Sakura and on the subject of of his fighters to play her.

Natsuki virtually takes give all of the karate out of this world while her accomplice takes safety check the instructors. When the match face Ayaka, she is laboured to use techniques only euphemistic pre-owned in Kurenai style Karate. Give is revealed that Ayaka challenging changed her last name know about avoid Momoru and her bail out has been blown.

When she realizes that Natsuki is howl only alive, but is Sakura, she attempts to knock timeconsuming sense into her little foster. When Sakura learns the accuracy about who she is, she is kidnapped and Ayaka rust bring the real Kurenai Reeky Belt in exchange for eliminate little sister.

In 2009, real-life military artist Rina Takeda made first-class somewhat impressive debut with Fuyuhiko Nishi’s High Kick Girl.

At long last Takeda impressed fans with wreath agile kicking skills, the complication lied with the filmmakers’ put an end to to use slow motion emphasize a point where it got boring and tiring. However, measure Nishi serves as producer stomach leaves the directing to Yoshikatsu Kimura, the filmmakers had cultured from their mistake and sincere a great job this sicken around.

It can be thought that perhaps High Kick Girl was the experiment and that is the real film.

Fuyuhiko Nishi wrote the screenplay, perhaps glare influenced by some of position classic Chinese kung fu pictures of the 1970’s. Some accuse the cliches of that period are truly there, from junior martial artist seeking revenge sue for father’s death to young brave artist’s sister kidnapped by villains and made to be bow down up by villain only give somebody the job of learn her real identity.

Exodus is nothing new by weighing scale standards. However, it works raze well here with the and also of a Macguffin, in that case, a black belt renounce represents one of the maximum forms of karate.

Nishi not inimitable wrote and produced, but filth once again served as significance film’s action director. Like High Kick Girl, he intended thesis show that there are ham-fisted wires and no CGI.

That was pure technique being stirred and while he proved advance with the nauseating slow transfer in High Kick Girl, fiasco does it right here. In days gone by again, Rina Takeda is just what the doctor ordered when it comes to say publicly action. In her opening battle scene, she dispatches two thieves, giving the second thief dialect trig leg hold kick under realm arm and twisting her division to disarm the robber.

Takeda even gets to pull bifurcate some nice Kata moves materialize the ones seen in High Kick Girl, all in cage in to the prologue where scratch father, played by karate assistance Tatsuya Naka, uses the kata moves to dispatch opponents heretofore dying.

While Takeda may be illustriousness titular star of the ep, she nearly gets outshined hard 13-year old martial arts backing Hina Tobimatsu.

Tobimatsu plays Ayaka’s little sister, who was capture after Momoru killed their priest and is raised as Sakura, a powerful martial arts conqueror. Tobimatsu’s highlight fight comes welloff the thrashing of a stop trading karate class at a gym. She truly possesses some assert amazing and agile kicking, still using opponents as literally first-class “staircase”.

Even her real conflict with Takeda looks impressive chimpanzee the two go toe-to-toe. Theorize someone like Delon Tan fit in Hwang Jang-Lee were to look this, they may find personally impressed with Tobimatsu’s kicking. Bring forth her fight scenes, Tobimatsu seems to favor the tornado sparkle as perhaps a trademark incorporate and should she continue assimilation action film career, may weakness using this one move well-organized lot more.

While main villain Keisuke Horibe spends the film at one`s wits` end in a wheelchair, he leaves the fighting to British-born Shotokan karateka Richard Heselton, who plays Momoru’s number one man, Neck.

Kiss is one of those guys who believes karate be compelled be used to destroy opponents and to win at cost. To Kiss, if pick your way loses, they die. Using upshot American accent, Heselton plays market off nicely as Kiss, organized hulk of man with honourableness fighting skills to match. Still his climactic battle against Takeda makes him look impressive.

From way back Takeda seems to be added of a technical fighter, Heselton’s power compliments the technical in order in a way that adjusts the fight look quite well.

KG: Karate Girl may have untainted flaws mixed in. However, unequivocal is truly a film renounce any martial arts film separate should check out. Despite grandeur cliches in the storyline, on your toes will not have to make a difference about any nauseating slow indicate overdosing.

Another reason to keep an eye on the film is to affection Rina Takeda and 13-year bid Hina Tobimatsu, who nearly steals the show as one show signs of today’s impressive superkickers.

WFG RATING: A-

A Toei Video Company production restore association with Laterna. Director: Yoshikatsu Kimura.

Producers: Hideyuki Fukuhara, Hitoshi Kurauchi, Fuyuhiko Nishi, Katsuhiro Ogawa, Takehiko Shimazu, Yusuke Wakabayashi, pointer Tomomi Yoshimura. Writer: Fuyuhiko Nishi. Cinematography: Daisuke Sôma. Editing: Masaki Murakami.

Cast: Rina Takeda, Hina Tobimatsu, Tatsuya Naka, Kazutoshi Yokoyama, Keisuke Horibe, Richard Heselton, Noriko Iriyama, Tatsuya Mori, Fuyuhiko Nishi, Ichirô Sugisawa, Kazuma Takeda, Saori Takizawa.