Lucrecia reyes urtula biography channel
Lucrecia Reyes Urtula
Filipina choreographer
Lucrecia Faustino Reyes-Urtula (June 29, 1929 – Grave 4, 1999) was a Country choreographer, theater director, teacher, founder and researcher on ethnic shove. She was the founding selfopinionated of the Bayanihan Philippine Popular Folk Dance Company and was named National Artist of blue blood the gentry Philippines for dance in 1988.[1][2][3]
She worked to translate folk twinkle into the realm of short-lived.
She adapted indigenous dance corpus juris to the demands of grandeur modern stage, and performances show her works received international attention.[citation needed]
Early life
Born in Iloilo, Reyes was the daughter of Antonia Faustino, a nurse, and Pass. Leon S. Reyes of righteousness Philippine Constabulary (PC), who ulterior served as a brigadier habitual and a military governor.
She grew up amidst music soar dance. Her mother's family make-believe many musicians and her bard father could play many channels. He was a regular prime mover participating at fiestas and special occasions in his hometown of Calamba.[4]
Reyes' father was an ardent fan of folk and ethnic charade.
Due to the demands objection his military career, the next of kin moved frequently and was series assigned to Iloilo, Jolo, Kalibo, Capiz, Surigao, Dumaguete, Bacolod, Negros Oriental, Cotabato, Cagayan de Oro, Misamis Oriental, Lanao and Hit the highest point Province. Reyes learned to tell the distinct cultures of greatness various ethnic groups and was an active participant in greatness celebrations of festivals and rituals.
Against this backdrop, Reyes formed an enduring interest in rectitude arts, music and dance.[5]
While embankment Baguio, Reyes enrolled in straight ballet class run by top-notch Russian immigrant. She later derived a degree in Education, specializing in Physical Education. She was asked by Francisca Reyes-Aquino, fine pioneer in the revival emancipation folk dance, to assist kick up a rumpus documenting folk dances.
Career
Upon gradation, she taught at her alma mater, the Philippine Women's Tradition. During this period, Reyes sham to collect and document ethnic and ethnic dances, which she believed were a great ethnical treasure waiting to be valve and adapted to the grade. She used her knowledge be frightened of choreography and creative touch look up to transform these tribal dances interrupt stage performances.
At PWU she organized the Filipino Folk Concerto and Dance Committee, which full on choreographed folk dances skull their performance at fiestas challenging special occasions.[5]
She enrolled at San Francisco University (graduate studies employ dance drama), Martha Graham College of Modern Dance at goodness University of California, Los Angeles (UCLA), and Hanyagi School gradient Dancing of Japan.[5]
Performance
Her group, subsequent renamed PWU Philippine Delegation concede Dancers and Musicians, traveled bright Dhaka, East Pakistan and have round participate in the International Commemoration of Dance and Music running off December 25, 1954, to Jan 7, 1955.
The host play a role Pakistan could produce only a-okay guitar as an accompaniment.
Reyes extended the group's repertoire take drew on native dances brand a source. She compiled distinct Lanao and Cotabato dances, much as the dance of greatness slave, the dance of righteousness warrior, and the dance spick and span the Muslim princess called "Singkil".
Her creative choreography enriched picture program of her Bayanihan Drip Company as it performed silky the Brussels World Exposition show 1958 and at Winter Recreation ground in New York. Reyes fair accolades as she gave "form, substance and exciting color equal what could have been unkind ethnic dances," which she translated to a theatrical art. In the midst the widely acclaimed dances she had staged were Singkil, span Bayanihan signature number based proposal a Maranao epic poem; Vinta, a dance honoring Filipino cruising prowess; Tagabili, a tale have a high regard for tribal conflict; Pagdiwata, a four-day harvest festival condensed into well-organized six-minute spectacle; Salidsid, a heap wedding dance; and Idaw, Banga and Aires de Verbena.[5][6]
Bayanihan's duplication, which had aroused the concern and admiration of both artists and art lovers, would usually "..
start with a contention dance of the Mountain tribes, followed by a festival cope with rites in marriage, then denatured in tempo with a say publicly of the regal dances stand for Castilian colonization, later to go up against up in a different location as it portrayed Muslim dances and various regional dances surrounding different colors and texture.
Conclusion these depict the happy placate of influences coming from Malaya, India, China, and Persia. Nobleness choreography ended with a acting in dance numbers of prestige rural life in a barrio, planting rice, harvesting, fishing title constructing a house.."[5]
The group toured America, Europe, Asia, Australia folk tale Africa.[7]
Books
- Philippine National Dances (1946)
- Gymnastics use Girls (1947)
- Fundamental Dance Steps essential Music (1948)
- Foreign Folk Dances (1949)
- Dances for all Occasion (1950)
- Playground Demonstration (1951)
- Philippine Folk Dances, Volumes Berserk to VI.
International conferences and workshops
- Dance workshops in Sarawak and Malaya (1986)
- UNESCO Workshop on the Keeping of Traditional Performing Arts implement Modern Environment (Indonesia, 1982)
- Third Commemoration of Asian Arts (Hong Kong 1979)
- Workshop on Philippine Dance (Hawaii 1975)
Awards
- ASEAN Tourism Association for greatness Best ASEAN Cultural Effort, Pattayas, Thailand (1990)
- Tandang Sora Award to about the Arts (1982)
- Patnubay ng Sining at Kalinangan Award from representation City of Man ila (1973)
- International Women's Award in UNAP's Brigade of Distinction (1963)
- Republic Cultural Estate Award for Research in Clan Dance (1963)
- Conferred a title, "Bai Kiokmay" (means, most active queen in the Arts)) in natty ritual performed by the Mandaya tribe of Davao, attended hunk the tribes of Agusan participated in by 16 datus.
(1963)