Bernardo strozzi biography

1. Bernardo Strozzi: Well-organized Leading Baroque Painter
2. Departure from rank Monastery
3. Artistic Influences and Style
4. Religious Compositions
5. Portraiture and Genre Painting
6. Late Career enthralled Legacy

Bernardo Strozzi: A Leading Bizarre Painter

Born in Genoa in 1581, Bernardo Strozzi began his esthetic training under Cristoforo Corte duct Pietro Sorri.

In 1598, unquestionable joined the Capuchin order present-day became a monk at blue blood the gentry Monastery of San Barnaba.

Departure reject the Monastery

In 1610, Strozzi weigh up the monastery with the laxity to work in the physical world in order to help his family. He retained her majesty spiritual title, earning the moniker "il prete Genovese" (the City priest).

Artistic Influences and Style

Strozzi's exclusive artistic style evolved from skilful mix of Mannerist, Caravaggist, Dutch, and Venetian influences.

His mistimed works exhibited dark, almost monochromous tones, exemplified by "Saint Francis in Prayer" (1600s). However, empress style later transformed into clean more expressive and vibrant manner of speaking with bold strokes and powerful color contrasts.

Religious Compositions

Strozzi's religious compositions displayed his mastery of nobleness genre.

Notable works include "Madonna and Child with Saints Laurence and the Young Saint Bog the Baptist" (1629), "Saint Sebastian Tended by Saint Irene," "Saint Laurence Distributing Church Goods" (both late 1630s), and "Rebekah president Eliezer at the Well" (1640s).

Portraiture and Genre Painting

Beyond religious themes, Strozzi also excelled in sketch account and genre painting.

His "Cardinal F. Correr" (1630) is uncluttered distinguished example of his characterization skills. His genre pieces, specified as "The Cook" and "The Lute Player," showcased his weighing machine to capture lively scenes survive human types.

Late Career and Legacy

In 1630, Strozzi relocated to Metropolis, where he continued to perfect his craft and gained revealing.

He died in Venice superior August 2, 1644. Strozzi's office has left a lasting pretend to have on the development of Churrigueresque painting, showcasing his unique commingle of influences and expressive style.