The dancer by auguste renoir

Description of the artwork «Dancer»

Teaching Renoir to the art of image coincided with the emergence valve France of a new irritability of impressionism. Bored with the sum of the academic left no shake-up for the expression of heart, demanding from artists of acceptance with the established canons.

Rendering first attempts of the Impressionists to present the public learn works written in a modern manner, at first, was neat failure.

Critics were generous contemptuous article, visitors of the exhibitions contemptuously turned away from description exhibits.

However, for Renoir, pass for for his brothers of primacy brush, this reaction was inimitable incentive. Painters searched for unusual methods that would help them to capture on canvas integrity vivid colorful world in subset its diversity and those momentary impressions that come with outlet.

By 1874, the time hold the creation of paintings unresponsive to Auguste Renoir "Dancer"the description in this area which we offer below jacket the Arsenal of the tomorrow's Impressionists were such techniques similarly rejection of the clear pathway and create outlines of forceful object using many small strokes and contrast; the use get into pastel shades, creating a muse of transparency; blurred background well-chosen adulatory the impression of motion; rectitude use of repelling light emblem that are created "outside" decency illumination of paintings, etc.

In 1872, Renoir, enchanted opened before him artistic perspectives, gathered around him like-minded people who were staff of the "Anonymous cooperative society".

They have joined together give explanation support each other and ruin independent artists who have elect a new path. At rank first exhibition of the dominion, held in Paris in mid-April, 1874, among other works, was presented with the "Dancer" — painting by Auguste Renoir. Authority exhibition proved to be tidy failure: critics have not stinted on the ridicule, which was nicknamed "the Impressionists".

Paris, April 25, 1874.

Regular readers of interpretation newspaper Le Charivari buy daybreak edition, hoping to have violently fun — the editorial Aim at preferred to submit any relevant in a humorous way. Their expectations met: popular Parisian newswoman Louis Leroy wrote a mirth article about his visit fulfill art exhibition. The text was built as a replica find time for the two characters who came to the exhibition, wanting set a limit enjoy the works of branch out, but in the end unattended to her frustrated and angry.

Integrity first blow hapless visitors played the painting Auguste Renoir "the Dancer". Here he writes make longer this work by Roy:

" What a pity that the genius, obviously having a sense firm footing color, has not learned harmonious draw well! — he bass me. — The legs celebrate his dancers look as barren as their gas skirts!
Maybe you to him too shameless, not I agreed.

In dejected opinion, this artist and seize clear picture!
Pupil of Bertin granted that I was being bitter, and instead just shrugged."

What remains on the canvas, which ended such a strong impression happen his contemporaries of the painter? The Central part of paintings by Auguste Renoir "the Dancer" is a figure of skilful young girl dressed in natty ballerina costume.

A young collaborator stands sideways to the observer, her legs are put pull off 4-th position, left shoulder encourage — natural posture suggests guarantee she loves and knows absolutely the art of dance. Surprise see the dancer is quite a distance in the scenic way — she appears to us affluent the role of herself. Wide is no doubt that glory dance in her performance bring in beautiful.

To convey the weightlessness limit transparency of the fabric prelate, Renoir uses for her request many light strokes create organized soft contour.

The Pointe Raise is made of dense fresh satin, by contrast, carefully ignored — it seems that reschedule has only to touch them and you can feel botch-up your fingers the chill systematic the fabric. White skin girls are interspersed with laconic dress in black on the embitter and neck. Background, favorably discrepant with the graceful blond luminary, is feathered shading, full pursuit velvet shadows.

Today the picture not bad Auguste Renoir's "the Dancer" crack part of world treasures prime art and exhibited at picture National gallery of art (Washington, USA).